Living With a Hoarder
A nightmare transports me back to him:
my ex-husband, the house on Linfield: windows
he refused to open, black mold that crept up walls
like intricate lace, pink mildew
slimed the bathroom ceiling, the whole place
muggy, stale. In the basement, stench
of ammonia-soaked litter boxes. I wake
relieved, grateful, shuffle to the kitchen,
bathrobe untied, fill the kettle halfway
& though it’s been years, wonder: Does the roof
still leak? I sip coffee, Google a recent photo,
glide my thumb & forefinger apart
for a closeup: two dead cars
line the driveway, two more
on the street. Grimy windows, blinds broken
& shut tight. Are three air compressors
still crammed in the garage? Are mice
still nesting in the walls, dining room
chest-high in unread magazines,
wrinkled newspapers? He blamed the first wife,
then me. Therapy didn’t help, medication —
refused. Whose fault is it now?
In the search box, I type
“living with a hoarder,” discover his
third wife’s essay: antique stove
destroyed by rodents, refrigerator too,
rotting floorboards, dead cat
under a mound of papers. I track down
Building Code violations, Health Department
complaints, a decade of fines, liens,
Orders of Abatement — none resolved. Eighteen years
I’ve lived alone, my second floor apartment
rehabbed before move-in: new roof, insulation,
double-pane windows. A palm tree
shades the front yard, bougainvillea
weaves through the redwood fence. Everything
has its place. When I clean, the scent
of cedar wood. Cooking, the sweet & sharp
onion, pungent garlic. I believed love
was enough to save him, stayed
until I realized compromise was really
concession. The first wife got out
in eight years; third wife, six.
It took me twelve.
McDonald’s: Fairbanks, Alaska
Sunday afternoon before the movie
breaks, I’m on line with the military
in faded fatigues, kids with cars & no place else
to go, couples with kids who missed dinner
after church, die-hards who walked a mile
for a quarter pounder, bearded men in rubber boots
& soiled parkas, brown canvas coveralls, here
for the once-a-month supply run they’ll lug
back to half built cabins, 50 miles
from town, accessible only by 4 X 4
or snow-go. Billions served & I’ve eaten a good
thousand since my father and I rumbled down
Nostrand Avenue in the ‘57 Dodge
to that glowing yellow arch & I savored a Big Mac,
fries, apple pie, chocolate shake, lusted for it
every Sunday for years. I’m on line now,
in a franchise said to have sold more burgers
than any in the Lower 48. On line with homesteaders
in matching blue windbreakers, logo of a bar
or union on the back, on line with Native women
in flowered kuspuks, babies deftly fitted
into their hoods, on line with gold miners
& security guards who wished they were cops,
on line with a frenzy of women living in
hollowed out school busses, formaldehyde
trailers, sinking cabins, whose hands are always
cold. The line dwindles, then replenishes
itself. I get a seat by the window, open
the bag. I dig in, every chance I get.
Gloria Bromberg:
Gloria Bromberg is happily retired after a varied work life as a bookstore clerk, artists’ model, literacy tutor, sex educator, addiction counselor and psychotherapist. Their poetry is published or forthcoming in Hobo Camp Review, Orenaug Mountain Poetry Journal, and Orange Juice Poetry Journal. They live in Berkeley and attend the Rainier Writing Workshop, the low-residency MFA program at Pacific Lutheran University.
Why Martheaus Loved These Poems:
Our first double feature! Whoop, whoop!
"Living with a Hoarder" has such wonderful prosody (sound work). Strangely enough, the beauty of the sounds makes the horror of the images have a very textured tone. For example, "muggy, stale. In the basement, stench / of ammonia-soaked litter boxes. I wake / relieved, grateful, shuffle to the kitchen, / bathrobe untied, fill the kettle halfway" is chocked full with assonance (vowel sounds) and hard consonance (the Bs, Ks, and Ts). All of that contributes to a feeling of clutter for me.
Then, there’s “McDonald’s: Fairbanks, Alaska” which stuffs a wide selection of people, multiple zones of time, and a heartwarming connection between a speaker and their father inside an unsuspecting McDonald's. So fun, so much subtle work with sounds and building the setting.